‘Bigger on the Inside’: How Gateway Fantasy Offers Area to Our Longings

Each different Tuesday in StoriedOkay. B. Hoyle explores the methods our cultural narratives act on us individually and in society as an entire.

The BBC’s Physician Who is an odd fandom to be part of. We name ourselves “Whovians” and geek out over unusual issues like sonic screwdrivers, weeping angels, and daleks. Low funds, anything-goes, typically tacky, and self-indulgent, Physician Who is a weird mishmash of science fiction, time journey, fantasy, journey saga, and extra. In brief, it’s a present that shouldn’t work—and but it does, again and again. First airing in 1963, it is among the longest operating tv reveals within the historical past of the medium, crossing generations of shifting cultural norms and even reviving, efficiently, from a sixteen-year break in programming. I’ve lengthy been fascinated by the Physician Who fandom—each as an observer and as a member. And as a member of the fandom, I see the religious undertones of the present that propel it past its campy veneer at the same time as I ponder at its attraction. There’s something transcendent in regards to the bones of the story, in regards to the very premise of Physician Who, that continues to attract folks again to it yr after yr.

The success of Physician Who hinges on a number of issues, and I feel it will be flawed (because it often is, in such circumstances) to scale back that success to only one issue. A lot has been made over time in regards to the Physician being a kind of Christ-figure and savior of the world. There isn’t any doubt that Physician Who is, as C. S. Lewis would possibly name it, a “dying god myth.” For any unfamiliar with the story, the Physician is an alien from a race with regenerative powers—that means, he can’t die, however solely be reborn. However the Physician can be a kind of protector of the earth. He’s taken it upon himself to specifically defend humanity from the numerous darkish (often alien) forces in search of to destroy us. So not solely is the Physician wholly good, however the Physician’s function leads inevitably to his (or, now, her) demise and resurrection a number of occasions all through the course of the present’s run—therefore why followers refer to numerous Docs by their numbers: the Eighth Physician, the Eleventh Physician, and so forth.

Nobody who journeys by way of a magic portal or gateway or liminal area in such a narrative believes the world or worlds on the opposite aspect can be smaller.

The significance of the “dying god” Physician—who is also a savior who protects the earth from evil—can’t be missed when analyzing the attraction of the present, however I feel there may be extra within the story that accounts for its extensive success. I re-read C. S. Lewis’s The Chronicles of Narnia this summer time, and once I got here to The Final Battle and reached “Farewell to Shadowlands”—the place all of the Narnians have handed by way of the steady into the New Narnia—I famous how Lucy Pevensie appears to be like across the backyard in New Narnia and remarks that it’s “bigger on the inside.” It struck me that there was a connection between Lewis’s tales and Physician Who, and in that connection resides another excuse for the attraction of Physician Who, and all such tales that make the most of a portal to move their characters, and thus the viewers, to greater and higher worlds.

Liminal, or Gateway, Fantasy is a subgenre of speculative fiction the place people (often) are invited by way of a magic portal of some kind into one other world. In some such tales, the portal acts as a liminal area—itself a miniature realm of suspended actuality—however the actual journey is entered into upon stepping out into the world or worlds past, no matter they might be. Essentially the most true liminal area in all of Lewis’s work might be the Wooden Between the Worlds from The Magician’s Nephew, the place Lewis takes it upon himself to outline the phenomenon for his younger readers by way of the voice of the character Digory:

“I don’t believe this wood is a world at all. I think it’s just a sort of in-between place,” stated Digory…. A spot that isn’t in any of the worlds, however when you’ve discovered that place you may get into all of them.… Nothing goes on within the in-between locations.… I feel we will get out of this place into Jolly Nicely Wherever!”

Essentially the most thrilling factor about Liminal Fantasy is the promise of limitless prospects. Within the Wooden Between the Worlds, for instance, there are numerous swimming pools to leap into, every resulting in a brand new world. Nobody who journeys by way of a magic portal or gateway or liminal area in such a narrative believes the world or worlds on the opposite aspect can be smaller.

In Narnia, there are numerous such portals, as in every guide the journey to Narnia begins otherwise, however in Physician Who, there is only one: the TARDIS. The TARDIS is the long-lasting blue police name field that the Physician journeys round in, and its title is definitely an acronym standing for: Time and Relative Dimension in Area. Most notable in regards to the TARDIS, nevertheless, is that the very first thing any human companion of the Physician says upon getting into it’s some model of, “It’s bigger on the inside.” The TARDIS could also be a small, early twentieth century British police name field on the surface, however inside it’s a spaceship time machine containing a number of rooms. And a journey within the TARDIS bears the Physician and his (or her) companions anyplace in area or time they need to go. Each invitation into the TARDIS is, due to this fact, an invite by an immortal being into worlds of infinite prospects—not in contrast to the Wooden Between the Worlds. It’s not simply that the TARDIS itself is “bigger on the inside, ”it’s that the place the TARDIS leads is all the time larger than the place the companions started their journey. The TARDIS acts as a liminal area—an enlargement into literal area and time that transforms the human companions from those that as soon as may solely see “through a glass darkly” into those that see the actual and full richness of the universe and are perpetually modified by it.

Though not one of the Pevensie youngsters communicate the phrases “it’s bigger on the inside” throughout their first stumbling journey to Narnia, after they push their method by way of the wardrobe in The Lion, the Witch and the Wardrobe anticipating to seek out the again and as an alternative discovering fir bushes and snow and a world past their creativeness, they too discover a “bigger on the inside” world inside a small picket field—similar to the TARDIS. They, too, are invited by a divine being by way of a portal that solely opens at his bidding. Nobody ever will get by way of a portal to Narnia on their very own volition—it’s all the time by the need and bidding of Aslan, however from the very first, each journey to Narnia is one that’s inward and upward.

The Wooden Between the Worlds, the steady in The Final Battle, the wardrobe, the TARDIS—all act as liminal portals to locations by which bizarre persons are invited “further up and further in,” and all are crammed with divine function. Tales that give us liminal areas by way of which we go into one thing larger strike at a basic religious eager for the “more real” and the larger world that waits for us. Liminal areas are supposed to be portals, nevertheless. In none of those tales do the journeyers merely dwell within the in-between. To go by way of—to go “further up and further in,” to be transported to different locations and occasions—is essential to how these tales resonate with our longings for eternity. After we see characters who turn into caught in liminal areas in tales, we lengthy for them to interrupt free.

That is the aim of a narrative just like the ’90s film The Truman Present, which presents a person (Jim Carrey) caught in a world that’s not actual. As such, the movie acts as a kind of reverse echo of a Liminal Fantasy because it sits on Truman’s utter captivity to a world of artificiality. The viewers by no means will get to see Truman’s exploits within the larger world, solely his efforts and longing to get there. As an alternative of being larger on the within, Truman’s world is smaller on the within—a pale echo of actuality. Within the movie, Truman was taken as a child from actuality right into a kind of anti-reality to be the star of a actuality present. However he all the time senses that his world is just too small, and that is what drives him to seek out the exit to interrupt free to a much bigger, extra actual world. Truman feels the inadequacy of the smallness of his actuality, in addition to the frustration and soul-crushing data that he’s caught. In some methods, he’s present inside a liminal area—an area between. He can’t be free till he acknowledges he’s caught, however the story additionally reveals that he—that no one that really longs to be free—could be glad with solely a pale echo, caught within the in-between.

Liminal areas are supposed to transport. In The Magician’s Nephew, Digory and Polly almost go to sleep within the Wooden Between the Worlds, forgetting one another and their world. However that may have been the tip of the story. The TARDIS has loads of rooms and entertainments, however the Physician doesn’t need somebody to dwell with him in it, he desires a companion for his adventures by way of it. The decision in The Final Battle is to go “further up and further in!” Solely then will it’s revealed that every part will get larger. In Liminal Fantasy, portals to journey turn into additionally portals to ongoing and deep explorations of reality. If our storytellers can think about infinite worlds of prospects and populate them with dying and resurrecting gods, how way more should it’s true that the genesis of these longings—as all tales come from longings—comes from a spot of reality exterior ourselves? That’s the reason a wardrobe, and a steady, and a TARDIS turn into automobiles for tales that may all the time endlessly fascinate. Maybe the long-reaching attraction of Physician Who resides not solely on the character of the “dying god” Physician, however on the character of the TARDIS by way of which he invitations bizarre folks, such as you and me, into infinite worlds that beckon us to that ongoing and deep exploration of reality.

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